Beyoncé’s Country Music Win At Amas 2025 Sparks Heated Debate Among Fans

The AMAs’ country category has historically favoured well-known performers, but this year’s major winner was an artist who pushes the borders of genres.

At the 2025 American Music Awards (AMAs), Beyoncé unexpectedly won Favourite Female Country Artist in the country category. Fans felt Lainey Wilson deserved the honour after performing her new track live at the ceremony, which sparked controversy.

The 11-time AMA winner received recognition for the first time in the country music category as the “Texas Hold ‘Em” diva won two prizes at the 2025 AMAs: Favourite Female Country Artist and Favourite Country Album.

Her album “Cowboy Carter” beat out Jelly Roll’s “BEAUTIFULLY BROKEN,” Megan Moroney’s “AM I OKAY?,” Post Malone’s “F-1 Trillion,” and Shaboozey’s “Where I’ve Been, Isn’t Where I’m Going.”

Beyoncé faced competition from Ella Langley, Kacey Musgraves, Megan Moroney, and Lainey Wilson in the Favourite Female Country Artist category.

Many people believed Wilson was the legitimate winner after seeing her perform her new single, “Somewhere Over Laredo,” live. They expressed their shock, sadness, and displeasure on social media.

“How can Beyoncé win after this performance,” one person questioned. Another fan didn’t hold back, declaring, “She was robbed Beyoncé isn’t country,[sic]” while someone else added, “Hope Beyoncé was taking notes on what real female country is supposed to be. Gorgeous performance”.

The backlash kept rolling in. “How Beyoncé over this?” [sic], one person wondered. Another fan chimed in with a mix of admiration and confusion, “How did Beyoncé win after this such a stunning performance she is the queen of country![sic]”

Other people praised Wilson, “Great performance. You should have won best female country artist.” Some were even more direct, crowning Wilson, “The real female country artist of the year.” And one fan summed up the overall sentiment, “Lainey should have won female country artist.”

The responses highlight a continuous discussion in the business over genre identification and restrictions, particularly as performers such as

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